Bridge Builder

Sometimes, I think, it's best just to let the poem tell its own story. My comments about a poem's beginning ... the inspiration for it ... my purpose in writing it ... in transforming scribbled notes into the finished product ... all of these, sometimes, are helpful.


Today, though, I think I'll just step back and let the poem do the telling ... all of it:

BRIDGE BUILDER

My grandfather built bridges, 
not the bright, towering
monuments to engineering like
those spanning the Mississippi.


His bridges were squat, dark,
wooden things, put up by gangs
of common laborers who spent days,
weeks, sometimes, away from their
families, so trains could go
rolling smoothly across the creeks
and small streams that wrinkled
the face of the earth.


One evening I watched as his
rough, scarred hand gripped a stub
of pencil and the pilings,
cross-members, all the timbers,
ties and rails took shape across
a ruled page of my writing pad.


His eyes glistened when my small
voice asked how far he had traveled
in this work, eating alien food
that strangers plopped on his plate,
trying to sleep in crowded, hot
bunk cars alongside the mainline.


"Too far, and too long," he said,
and I knew the story was over.


That paper is gone, his bridges
replaced by steel structures,
or abandoned as railroads began
surrendering to the superhighways
and airplanes, but how I wish
I had that little drawing, so I
could slide it out, look at it
again, something of him to hold,
now that I’ve come to appreciate
his most important bridge, those
huge hands reaching out to me,
the child nobody wanted, saying,
"Come ... live with me."

© 2006

(Second place winner, Dayton Metro Library 2006 Poetry Contest)


Today's word: reaching