Saturday, November 30, 2013

What'll You Have?







(Yes, I took the photograph ... I don't remember where or when, exactly ... but it's mine, all mine)

In case you've noticed my recent absence - oh, you didn't? - well, anyway ...

Phyllis and I have been busy recently, really, really busy, trying to pare down our holdings from all the years we've shared this journey, in preparation for a move.

I'll spare you to goriest of the details, but imagine, if you will ... moving from the seven rooms-plus, on four levels ... Brimm Manor ... that we've shared for some 30 years ... to a three-room apartment ... Brimm Minor, I suppose it might be called.

And there you have it. Meanwhile ... 

One of the early things I learned about sending my poems off into the company of strangers ... on the chance that some very busy person might pause to read, to savor, to accept something I'd written ... is that there's an awful lot of rejection involved.

In fact, unless you have editors writing to you, begging you to submit something, it's mostly rejection.

Not long after my first acceptance, I thought I was having a particularly good run of luck, so I did the math and found I had an acceptance rate of 12 per cent.

Of course, while achieving that "hot streak," I was also having an 88 per cent rate of rejection.

"What'll You Have?" was probably written during one of those intervals when no math was necessary to tell me my rejection rate was high, high, high.

How nice it would be, I thought, if, instead of sending my poems all over creation, I could just have a little shop on a quiet little street ... a place where editors could drop in when they felt the need for a poem.

I would have poems on the wall, on the shelves, in racks ... all over the place ... even "teetering in the back room of my mind." I would, of course, hope that visitors would find something they simply couldn't live without.

I have yet to realize my dream of becoming the proprietor of a poetry boutique, catering primarily to editors, but at least this one little poem apparently did make a favorable impression on the poetry editor at 
ByLine, and there I was, way back in '96, dancing on the table again. How sweet it was!

The poem:



WHAT'LL YOU HAVE?


Poems, lady?
What would you like?
I have these
written in the nights
of my despair,
a few over there
when I felt better.



A love poem?
Not much in demand
these days, but I may
be able to find one
somewhere on the shelf.



No picks among these?
I have more written,
on the back racks,
aging a bit
before they travel,
and, of course,
stacks and stacks
teetering recklessly
in the back room
of my mind.

© 1996

Today's word: teetering

Tuesday, November 12, 2013

They're Watching





I used to see them all the time.

I could hardly set foot out the door without encountering one ... dressed as Santa Claus ... as a witch ... a clown ... a cowboy ... as almost anything ... or anybody ... except what they really were: concrete geese.

And now I can't even find one of the photos I took of them.

I can't imagine where they've all gone ... flown south for the winter? Oh, I hope not. The very thought of them aloft scares me a bit.

Perhaps the fad is ebbing. But while it was here, almost everybody ... at least in my neighborhood ... had at least one ... sometimes more.

Understandable then, that I eventually gave in and wrote something about them ... and here it is:


THEY'RE WATCHING


Concrete geese!
Heads held high,
unblinking
dots for eyes,
they guard
the porches, line
the lawns, ever alert
for the gawkers
wandering by.

They never move,
nor honk, nor
even threaten
hostile action,
but in their cold,
concrete hearts
seem to know
the intentions
of those
who dare even
steal a glance.
© 1998
(originally published in Capper's)


Today's word: gawkers

Monday, November 11, 2013

Staying at Haan's





Today's poem grew out of an interlude Phyllis and I enjoyed in celebration of our golden wedding anniversary ... thanks to the generosity of our family ...


What a wonderful interlude it was. I don't want to spoil the moment by dissecting the poem ... please, just read it ... and I hope, while you're doing that, you hear the gentle clop-clop-clop of those horses.


Originally published in Plainsongs:


STAYING AT HAAN'S



It was as though we'd escaped to another
age, back to a time before TV or radio,
when news came to us from ships gliding


surely, softly up to the gull-laden docks,
when bicycles roamed the streets carrying
stacks of luggage, a forgotten letter, a loaf


of freshly-baked bread, a time of lovers
pedaling slowly past, oblivious of all else.
It was a time in the embrace of silence


like it was meant to be, not even a distant
drone of engines, clamoring of the hurried,
a silence through which the clop-clop-clop

of horses came to us in the night, a lullaby
reassuring to those unaccustomed 
to 
an absolute absence of the clutter of noise.
© 2005

Today's word: interlude

Sunday, November 10, 2013

Running the Hurdles





This photo was taken some time ago. I had a new camera ... a new "toy," if you will ... and I understood, from a quick reading of the instructions, that it had a built-in timer which allowed the photographer to be in the picture. 

Aha! A self-portrait! 

I thought I'd try a profile shot ... and I did. Trouble was, I was concerned that nothing seemed to be happening. 

Then, just as I turned to see what had gone wrong, something did happen ... and you see the result. 

It wasn't what I expected, but I never ... almost never ... throw anything away without finding a use for it ... so here it is. 

Oh, and I almost forgot ... today's illustration is fitting, I think, because I'm preparing for a move ... and if you've ever moved, I imagine you know what I'm going through.
  

Today's poem, I think, cries out for more poetic detail ... and more detail would call for more than its eight short lines could deliver.


The poem may, in fact, have been considerably longer when it was first written ... but I was under the mistaken impression that Capper's only published eight-line poems.


See? I can be brief.


The poem:


RUNNING THE HURDLES

Have you
ever noticed
how many more
things go wrong
when you're trying
to get away
 early, 
or make up
for lost time?
© 1997

Today's word: hurdles

Saturday, November 9, 2013

On Waking





I grew up in hill country, where fog was rather common. I still identify waking up, the beginning of the day, with fog that lingers in the valleys.

It's something like the fog that lingers in my own head ... beading on the cobwebs there ... but that's another story.

Meanwhile, today's poem:

ON WAKING

The dense gray fog, that
silent stalker of valleys,
crept in like a dream
while we slept, lingered,
defying the sun's efforts
to take back this place
where the sassafras shares
a hillock with honeysuckle,
outdoing the dew itself,
globules riding a coolness
that speaks of changes
coming, a shift of seasons,
a briskness that will make
the covers more precious
in the morning, gentle fire
like a warm embrace when
evening brings us home.
© 2001

(originally published in Waterways)

Today's word: embrace

Friday, November 8, 2013

Next Shade


(It's not one of my summer photos ... and that's shadow, rather than shade, but I find shadows interesting, too)

Phyllis and I, circumstances permitting, go for a walk every day.

We prefer walking outdoors, but if the weather is particularly disagreeable, as it can sometimes be in this part of the world, we duck into a shopping mall, or its equivalent, and do our walking there. 

We've even done the building-connecting tunnels at Wright State University ... all a part of survival.

In the hottest part of summer, we adopt another strategy, which allows us to walk outdoors ... and survive.

We call this our "shade hike." We find some place with lots of trees ... and we're blessed with a lot of parks like that in this area ... then we go strolling from shade to shade.

These brief interludes of relative coolness make it possible for us to walk outdoors in the hot, sultry months ... and survive.

If we hear rumbles of thunder, it's back to the mall.

While we are darting ... relatively speaking ... from shade to shade, I often think about this poem, based on childhood memories ... as many of my poems are ... but also a metaphor for dealing with problems:


NEXT SHADE

Once, walking to town,
I complained that it was
too hot, too dusty, far
too far, but Grandma,

who had walked it many
times before, simply
said, "We can make it
to next shade, then

we'll rest. Next shade,
rest," and it became
a game, the next shade
our refuge, drawing

us along like a magnet,
the trip getting easier.
I've thought of that
a lot of times when it

seemed the going had
become too demanding,
and I always found
next shade, some rest,

before pressing on,
her words still making
it easier for me.
© 1999

(originally published in Capper's)

And so it is. We find that "next shade" ... in words of comfort ... a pause ... a summoning of inner strength ... a moment in our own quiet cove ... respite ... before pressing on ... and on.


Today's word: survive

Thursday, November 7, 2013

The Mouse




(Just another of my randomly-shot photos ... I think I was taken by the play of light against the clouds, the contrast with the landscape below)

What I started out to talk about was today's poem, based, as are most of mine, on the material at hand ... you know, tangible stuff ... things I understand ... at least sorta ...

Now that I think about it, though, it seems that this particular poem kind of tells its own story, so here goes: 


THE MOUSE

I slept serenely one blustery night
while a timorous sweet-toothed mouse
stole into my house, chewed a jagged
hole in the right-hand pocket of my
old blue robe and took a foil-wrapped
chocolate by surprise.

Discovering the theft, I, Superior
Creature I, smiled at such waste
when my poor pocket was open
all the time.

But who has dined on prized chocolate?
And who stands here holding crumpled
foil while a finger waggles foolishly
from a hole?
© 1998

(originally published in Capper's)

Today's word: timorous

Wednesday, November 6, 2013

Loss of a Tree





Today's photo is one I took during an autumn stroll at Cox Arboretum. The poem is part of my third small collection, Wood Smoke, published by Finishing Line Press:


LOSS OF A TREE

Streets, the inexorable ooze of cities,
were already there when you arrived
to be ritually planted as recompense

for what had been stolen from the land.
Thus began life among strangers, thirst
of confinement, trimmings when you

reached for wires, the salt-laden spray
of passing cars, signs tacked to your
trunk, bark-scarring injury from a van

run amok. Despite abuse, neglect, you grew
through recession, depression, ebb and flow
of fashion, through those times called

war, interludes known as peace. You grew
over the curb, began upending sidewalk,
but provided shade for strollers, let fall

showers of crinkled leaves for children
to go kicking through. Finally, when winds
tried to break you, but, failing that,

uprooted you with a horrible groan, you
took with you an anachronistic jumble
of flashing trolley wires and lay, silent

and dying in the street, waiting for crews
 

to gather you up, truck you away, leaving
only your winged seed, scattered and golden.
© 2010


Today's word: inexorable

Tuesday, November 5, 2013

In the Choir





How many times I've wished I could sing, if only for singing in the shower ... but that gift seems to have been taken from me forever when my voice changed.


I have become an avid listener, instead.


It is from this listening that the metaphor for this poem arose. I do wish my voice might rise, realistically, not as a singer, but as a writer.


Even there, I am reconciled to the possibility that mine might not be a voice intended to be heard above the chorus of other writers' voices.


If that's the case, then, let my voice ... my writing ... remain steadfast, I say in this little poem.


There, now that I've explained the whole poem, I hope you will still take a look at "In the Choir," originally published in Capper's.


As always, I know that the reader brings a special point of view ... a special knowledge ... to the poem ... and I do enjoy the reader's perspective, the added dimension this gives to what I've written.


I appreciate your taking time to drop by ... even if it's just to "sit for a spell" and listen to my ramblings ... but if you choose to join the conversation by leaving a comment, well ... that's always icing on the cake. In either event, many thanks. I'll keep trying.


Meanwhile:



IN THE CHOIR

Oh, that my voice
might soar like
a tenor's rising
as clearly as a bell
from the choir,
but if that wish
is not to be, then
let me remain
a faithful voice
among the many,
my song steadfast.

© 1998


Today's word: dimension

Monday, November 4, 2013

Hard Times





Not all of my poems are about sunsets, the beauty of cobblestone clouds, the wafting scent of roses. Life has a gritty side, too, and some of my poems reflect that.

This encounter came a long time ago at a bus stop, a favorite trolling spot for panhandlers. 


There was a time when I would almost automatically hand over a bit of change. I could remember tough times, too.


But I had grown tired of being hit up day after day. My initial response was not very charitable, I know, but I relented. I imagine there's a lesson in there someplace, perhaps having something to do with the poor sparrows of this world.


The poem appeared in Pebble Lake Review's Fall/Winter issue of 2005, and now is part of a manuscript (Strawberry Wine) in search of a publisher.

And here it is:

HARD TIMES

Suddenly he's in my face,

dirty, wind-blown, muttering, 

Spare a quarter? Refusing to let

his question assault me,

I turn away. Then back. My own
No, can you? comes spilling out

like a shot, freezing us there
in the snow-blasted morning

until finally his uncertain
chuckle descends into breath-

stealing, chest-stabbing coughs
and I fish deep in the warmth

of a pocket for a quarter,
hand it over, stand watching

as he moves away, this poor,

tattered sparrow with his crumb.
© 2006

Today's word: tattered

Sunday, November 3, 2013

Giving Advice





(This is an early work by my grandson, Thomas, who has moved on to more serious artistic endeavors ... but I still treasure this piece)

I had a boss, many, many years ago, who repeatedly expressed his concern about "putting out the fire" ... that is, discouraging creative thinking and constructive effort.


He avoided that perceived hazard by not riding herd too closely on his employees. He didn't afford them free rein, of course, but he did want them to think for themselves, to offer suggestions and constructive criticism.


His admonition, "Don't put out the fire," stuck with me long after. It finally begged me to put it to paper. In doing so, I visualized an old man, quite unlike my boss, teaching a rank beginner how to build a fire and to keep it going.


The old man is the narrator, and there is no two-way conversation: We don't hear anything from his young pupil, obviously a good listener. 


There aren't even any quotation marks in this piece. But, despite that violation, I think it works.


I think the poem works on two levels, and I like that.


The poem:

GIVING ADVICE

Now be careful, he said,
or you’ll put out the fire,
the spark, the flame,
the desire that sprang up
and wavered, waiting.

Fan it too much, or pile on
more than it can handle
in its early, struggling,
starved-for-oxygen stage,
and it’s a sure goner.

Neglect it and it’s doomed,
too. Oh, it may flash up
and dance in the darkness,
but it’ll soon burn out,
without some new fuel.

It takes a gentle touch,
the hat back and forth
just so, a sure eye watching
for signs that it can
stand alone, in its own heat.

Remember, he said, plopping
his battered hat back on,
how it was when you started,
how you needed that touch,
that sweet warmth of success.
© 2001
(originally published in Kaleidoscope)

Today's word: success

Saturday, November 2, 2013

Forecast: Rain









Those who've paid many visits to "Chosen Words" know that I write about rain ... a lot ... maybe too much.


I suppose that can be traced to my roots, which reach all the way back to a rural beginning ... not on a farm, really, but in a country home ... just outside a small town ... a very small town.


It was there that I first learned the importance of rain. Too much, and our garden would suffer disastrous results ... too little, and our garden would suffer. So would we ... since we depended on a cistern for our drinking, bathing, cooking water ... and our chickens and Grandma's flowers depended on water from the well.


Rain was important ... but it had other roles, too.


I still remember the songs it played on our roof ... how soothing the sound of it could be on a spring night ... how it washed away the dust which drifted in from the gravel road ... the cinders from passing freight trains ... how it made puddles for a little boy to go splashing through ...


Little wonder that I've written so much about it.


I thank you for your patience as I've explored the mysteries and wonders of rain.


And here I go again:

FORECAST: RAIN

They said it would
come tumbling off
the slanting roofs,
go dancing down
the street, glancing
off the bare-limbed
trees, peppering
fields with kisses,
would greet us
in the morning and
be with us all day,
like a promise meant
to be kept, would
dampen our spirits,
but would sweep away
the lingering crusts
of winter, would sing
of the coming spring.

But it didn't do any
of that. It just
rained, and rained,
and rained and rained.

© 2006

(originally published in Capper's)
Today's word: tumbling

Friday, November 1, 2013

Enjoy That Silence




Today's poem was written at a time when I was thinking about my writing ... how I might improve it ... what subject to tackle next ... how to tweak some of the tons of things I've written ... and about how ... someday ... for me ... all this will come to a halt ... 

That can be a gloomy thought, I know ... but I prefer to look at the bright side of the coin, even while knowing, all along, that the coin has another, darker side, too.

Today's poem deals with that other side, but in a way, I hope, that simply looks at reality ... with a dash of hope for the reader ... the knowledge that things will go on, as always.

Meanwhile, I have been blessed to be able to write, and to be permitted to share what I have written (and that includes this "blog"; I noticed this morning that, to date, there have been 40,100 visits paid to "Chosen Words." Thank you, one and all!).

As much as the writing itself ... which sometimes comes in pauses and starts, and sometimes with difficulty, but always brings a certain satisfaction when it's finished, awaiting a polishing or two ... I have enjoyed the reactions of readers.

To say that I have basked in their comments is a vast understatement.

Still, I know it will all end someday. It must. It will.

This poem is about that. I think it pretty well tells its own story ... and I don't think it's a sad story, really, just an acknowledgment of the inevitable ... but also a celebration of the present. Thank you for being a part of that celebration.

The poem:

ENJOY THAT SILENCE


When all the leafy
branches have closed

behind me and my
footsteps have drifted

into nothing, I hope
there will be no

searching parties sent
to seek new meaning

in what I was trying
to say. I had no hidden

agenda, no secrets
in my surface-dwelling

statements. So when
the silence descends,

as it surely must, please
accept it. And enjoy.
© 2006

(Published in the Spring 2006 - 40th Anniversary Edition - of ICON)

Today's word: inevitable