I have ridden a lot of buses. The bus was my main mode of transportation when I was in military service ... later when I started college ... still later, during a good portion of my working life.
There's something about a bus.
Absolute strangers will take a seat beside you and start telling their life's story ... at least that's been my experience ... and the drivers ... when you're the first one on the bus in the morning, as I often was ... or the last one off at night ... as I sometimes was ... they'll strike up a conversation ...
There's just something about a bus.
You can't help but pick up information about people and places ... bits and pieces of information ... even if you're not a writer ... things, impressions that stick with you ... things that resurface at the strangest times.
That's what makes this poem what it is ... the bits and pieces.
It comes together as though it's all happening along a certain route ... on a certain Saturday night ... on a rainy Saturday night ... a certain driver ... a particular bus. Not so. It's a combination of those bits and pieces, gathered during hundreds of rides over thousands of miles.
So it didn't really happen? Oh, but it did. Not in the neat little package starting at Point A and ending at Point B. But it did happen.
I imagine it was ... as is often the case ... a rainy night that set the memories into motion ... this gathering of impressions from the recesses of my mind ... the narrative that followed ... the driver ... rain ... the sweeping turn ... rain peppering the dead roadside grass ... all of it coming together to form a poem.
And that, I suppose, is an example of poetic license.
THE LATE RUN
An almost-empty bus,
and I'm dozing as it
splashes down a lane
toward St. Leonard's.
Its headlights sway
as it makes a sweeping
turn, pauses, then goes
grinding off again.
"It's that way most
Saturdays," the driver
says. Then, glancing
at me: "I make that
loop, you know? Just
in case. But there’s
hardly ever anybody
waiting." A pause.
"Now ain't that life?"
We jolt along, listening
to the wipers slapping
the rain aside, tires
smacking puddles, and I
ponder what he has just
said. The rain peppers
the dead roadside grass
and dances its lonely
Saturday night dance,
while I sit thinking,
tired and a little sad.
and I'm dozing as it
splashes down a lane
toward St. Leonard's.
Its headlights sway
as it makes a sweeping
turn, pauses, then goes
grinding off again.
"It's that way most
Saturdays," the driver
says. Then, glancing
at me: "I make that
loop, you know? Just
in case. But there’s
hardly ever anybody
waiting." A pause.
"Now ain't that life?"
We jolt along, listening
to the wipers slapping
the rain aside, tires
smacking puddles, and I
ponder what he has just
said. The rain peppers
the dead roadside grass
and dances its lonely
Saturday night dance,
while I sit thinking,
tired and a little sad.
© 2003
(from my first poetry collection, Chance of Rain, published by Finishing Line Press, 2003)
Today's word: license
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