Tuesday, February 11, 2014

Handle With Care






Quite often, a poem, or the beginnings of a poem, will come to me suddenly, and in such a way that I will always remember that moment when the spark started the flame.


Not so in this case.


I'm not sure what the trigger was. 

Perhaps it was as simple as seeing a "Handle With Care" label on a package. 

Perhaps it was a quiet evening and I was thinking back to a time when I was quite young, swimming in dreams of what I was to become someday.


I don't know.


But I do know that I was struck by how fragile those dreams can be ... like a bubble glistening in its freshness ... a bubble so delicate that even a most careful touch can burst it.


I hope I stopped short of becoming preachy in this little poem ... and I hope to stop short of that in these comments.


I generally hope, when I'm writing, that I will end up with something that is thoughtfully assembled ... that it will be thoughtfully received by the reader ... and that it may have some residual, lasting value for that reader.


The poem:


HANDLE WITH CARE

There are few things
as beautifully crafted,
gilded or etched,
as magically alluring,
and yet so vulnerable
to the careless touch,
as the dreams
of a young child.
© 1995

(originally published in Capper's)


Today's word: vulnerable

Monday, February 10, 2014

Glass, Drinking





(Just another photo I've snapped along the way ... this one at Cox Arboretum, one of my favorite walking places)

Today's poem is on such an ordinary subject ... and I'm sure the editor who once scrawled something to that effect on one of my poems would agree ... but I find many of my subjects in "ordinary things."

So much depends, I think, on how one looks at them.

I'm not exactly sure where ... or when ... the particular glass of this poem caught my attention.

It was a cheap green drinking glass ... I'm sure of that ... but it wasn't a recent observation, because the trains don't run past where I live now. So it had to have been in the past ... perhaps the distant past.

But I do remember how that glass caught the light, and I can still see those few remaining droplets dancing.

The moment could have passed unnoticed. I'm sure there were other things ... far more important things ... going on. But I did notice, though I had no idea I would ever write a poem about it ... or write any poems, for that matter. 

I'm glad the memory was stored somewhere in the recesses of my mind, just waiting there for the right moment to show itself to me again.

It's just a small descriptive passage ... a single sentence, if it were presented as a bit of prose ... but I treasure the memory it represents ... and the other memories which keep it company.

Oh, how I wish I had a picture of it to share with you. Instead, there's a photo I snapped during one of my walks at Cox Arboretum. 


GLASS, DRINKING

It gathers the light to it, sparkling
with morning warmth, wraps itself
in rings so bright they might be taken
for some kind of pretense, but it’s
only a cheap green drinking glass,
empty except for a few remaining
droplets that tremble and dance
to the passing song of a rickety train
and then subside like an echo yielding
itself to the cold of late autumn fog.
© 2006

(originally published in St. Anthony Messenger)
Today's word: rickety

Sunday, February 9, 2014

Favored Paths






My grandparents didn't have a car (as some of you may know, I grew up in their care) ... but that was no problem ... everything we could have wanted was within walking distance ... and trips, real trips? Well, there were passenger trains running then.


Under those circumstances, it's little wonder, I suppose, that I learned the benefits of walking.


For one thing, there was so much to see while walking ... it was a pleasure to focus on a particular view, then watch it slowly changing as the walking changed the angle at which it was seen.


The slower pace made it so easy to absorb what was seen ... to savor the flavor, so to speak.


So, when my doctor suggested ... OK, he may have been verging on insisting ... that I take up walking again ... it was no big deal, even when I first started and found it difficult to go all the way around the block.


I remembered ... I knew the benefits of walking. It was just a matter of time until I could get my body back into shape. 

Well, it took a little more time than I expected ... but I listened to my body along the way ... and moderated my pace, or increased it, accordingly.


And now a daily walk is automatically a part of my routine. I still enjoy the view(s), the pace ... and particularly the poems that sometimes come to me during my walks.


Today's poem, for example:

FAVORED PATHS

I like to walk
where the trees
drink the sunlight
and let only
stray droplets
speckle the earth,

where the squirrel
scampers unseen
to a cradling limb
and screeches
at the stranger
who dares intrude,

where lichens clutch
the brows of bluffs
sitting as in judgment
while merely waiting,
as they have been
through the ages,

where the tiny bird
flits and sings
its song of hope,
and my steps
are less labored
as I am renewed.

© 1996
(originally published in Capper's)

Today's word: lichens

Saturday, February 8, 2014

The Embrace of Sound





(One of my photographs, symbolizing nothing in particular - "mere interlude")

Another bit of ancient history.

The scene: Phyllis was called out of town because of an illness in her family. I was alone in "Brimm Manor" ... totally in charge, preparing the meals, doing the dishes ... all alone.

This may help in understanding the origin of the poem ... what started the wheels to turning, to bring the poem into being ... but really isn't essential to the poem itself. 

I'm speaking in a general way about the absence of familiar sounds, and what effect that absence can have on the individual.

The poem is also witness to the fact that poetry needn't always be a light, "happy song" rendition. Poetry can, and does, roam the range of human emotions.

I like the way this one came together, the way the silence symbolizes the loneliness which is at the core of it.

But I also like the happy ending, or at least the prospect of a happy ending in "embrace of our voices" ... and that last line: "preparation for a next great leap."

The poem:


THE EMBRACE OF SOUND


I endure the silence, knowing
it will end with a teakettle's
shrilling, the dog's ticking
toward water waiting to be lapped,
the phone's late-night ringing,
embrace of our voices, for this
is mere interlude, this intaking
of breath, this hunkering down,
preparation for a next great leap.
 
© 2001
 
(originally published in Potpourri)
Today's word: ticking

Friday, February 7, 2014

Delia's Dream







Today's little poem is about my grandmother, who took me into her care when I was two years old and guided me until I was 18 ... when I went into military service ... and even beyond. 

I still feel that gentle hand in the small of my back.

Times were not just hard, but really tough, requiring frugality with those few material things which came her way. Still, those circumstances seemed to inspire in her an exceeding generosity.

She knew that others had needs greater than hers. She accepted the fact that her good works might be received without thanks.

And she didn't talk much about "those distant places," but I know she dreamed about them sometimes, especially those where her children were.

She did get to visit them, but she never got to be there, as she would say, never got to "pull up and settle down" there.

It was simply not to be. And she accepted that, too. 

How I love her, for all the things she taught me ... for all the butterflies she pointed out to me ... and paused to watch with me.


And now, the poem:


DELIA'S DREAM

How she'd say
nothing is ever lost,
meaning wasted,
pieces of string,
each carefully coiled,
or a rubber band
snapped around her wrist,
her good works received
without thanks,
and thoughts,
especially thoughts
of those distant places
where she dreamed things
were better, where she
hoped to be someday,
but never was.
© 1997
(originally published in Riverrun)

Today's word: guided

Thursday, February 6, 2014

Ceiling Monster



(Another of my little watercolors, an early attempt to capture a sunset)


A summer poem? Could be ... but it could be an anytime poem, because the "monster" is always there ... has been, ever since I installed it.


But simmer - er, summer, it is. At least in today's poem.


Oh, how many times this has happened to me ... I settle into my favorite chair, pick up a book ... or a magazine ... and lean back.


Next thing I know, I'm waking up again.


But this time, at least, I got a poem out of it:


CEILING MONSTER


Five blades embrace
heavy summer air
while four globes stare
at a pair of strings,
slender, descending
like spiders seeking
new worlds to claim,
and my eyelids flutter,
fighting against sleep,
for I have sat down
intending only to read
a few paragraphs,
but find I'm slipping
now, glasses off, my book
slowly rising, falling
as it rests on my chest,
both of us helpless
against that monster
cooling, whirring, 
soothing, hypnotizing
us in the afternoon.
© 1998
(originally published in Capper's)

Today's word: hypnotizing

Wednesday, February 5, 2014

Body of Work




Sometimes when I'm scribbling on a scrap of paper, I turn thoughtful ... and when that happens I try not to spoil the mood by talking too much.


Today's poem:


BODY OF WORK

No massive volumes
nor learned footnotes
preserve my tracks,
no ripples mark
my gentle passage,
yet my being here,
scribbling away,
may have made
a difference
to someone else.
If that's the case,
I am pleased,
verging on proud,
of my body of work.
© 1996

(originally published in Anterior Poetry Monthly)

Today's word: verging