Autumn Crossing

Autumn is one of my favorite seasons ... largely because I tire of blazing hot weather ... thank you very much ... and start looking forward to cooler nights ... good sleeping weather ... the fall colors, which I always enjoy ... the sight of leaves sifting gently to the earth ... the sounds and the feel of them as I go kicking through on my daily walk.

Today's poem happens to be one of my favorites, too. it was written on a bus, of all places. We were humming along northward, somewhere in Ohio.

The highway seemed to be an endless ribbon unspooling toward us ... but there on both sides ... oh, there was something to watch! The autumn trees were at their absolute peak, as though they were expecting us ... expecting "company."

And there we were.

I was struck by how the colors seemed to be parting, then closing behind us ... something like the parting of the Red Sea in those old movies.

Naturally, I dug out a scrap of paper and began writing ... and here's the result:

AUTUMN CROSSING

A sea of color
rages ahead,
parting for us
with the soft
hum of miles
falling away,
gently washing
back into place,
cloaking all
traces of our
safe crossing.

© 1997

(originally published in The American Scholar)

Today's word: crossing

What'll You Have?

(Yes, I took the photograph ... I don't remember where or when, exactly ... but it's mine, all mine)

One of the early things I learned about sending my poems off into the company of strangers ... on the chance that some very busy person might pause to read, to savor, to accept something I'd written ... is that there's an awful lot of rejection involved.

In fact, unless you have editors writing to you, begging you to submit something, it's mostly rejection.

Not long after my first acceptance, I thought I was having a particularly good run of luck, so I did the math and found I had an acceptance rate of 12 per cent.

Of course, while achieving that "hot streak," I was also having an 88 per cent rate of rejection.

"What'll You Have?" was probably written during one of those intervals when no math was necessary to tell me my rejection rate was high, high, high.

How nice it would be, I thought, if, instead of sending my poems all over creation, I could just have a little shop on a quiet little street ... a place where editors could drop in when they felt the need for a poem.

I would have poems on the wall, on the shelves, in racks ... all over the place ... even "teetering in the back room of my mind." I would, of course, hope that visitors would find something they simply couldn't live without.

I have yet to realize my dream of becoming the proprietor of a poetry boutique, catering primarily to editors, but at least this one little poem apparently did make a favorable impression on the poetry editor at ByLine, and there I was, way back in '96, dancing on the table again. How sweet it was!

The poem:

WHAT'LL YOU HAVE?

Poems, lady?
What would you like?
I have these
written in the nights
of my despair,
a few over there
when I felt better.

A love poem?
Not much in demand
these days, but I may
be able to find one
somewhere on the shelf.

No picks among these?
I have more written,
on the back racks,
aging a bit
before they travel,
and, of course,
stacks and stacks
teetering recklessly
in the back room
of my mind.
© 1996

Today's word: teetering

That New Day

I've thought of country mornings a lot of times when I was struggling into another day, far removed from those early beginnings.

I've missed the "leisure" of "working by the sun," rather than under the stern eye of the ever-glaring clock. I've missed those mornings when I could lie in bed a few extra minutes, savoring the return to wakefulness.

I've missed the sounds that filled the spaces between the trees back then. Now it's the sounds of the cars and trucks and buses that echo off the buildings and clog our senses.

What I've missed most, I think, is the sound of a cow bell coming to me from a meadow just beginning to fill with light.

Now that was music to a young boy's ears.

And now, the poem:

THAT NEW DAY

Sounds came crawling across the coolness

of the damp night air, climbed into the cot

where I lay stretching to touch the sides

of that new day. A screen door squeaked

open, then shut again. A tractor groaned,

fired up, deep, throaty song floating to me

like a breeze. Struggling early light visited

a hint of warmth high on the hilltop trees,

an image of candy-apple red slowly rising

in my mind's eye over the wooded brow

of the opposite ridge. A cow bell clanked

into the silence the tractor left as it went

rolling off toward a waiting field; so long

ago, but like yesterday. And I hear it now.

© 2005

(published in Brave Hearts, summer 2005)

Today's word: meadow

Supplication

(You may have seen this illustration before ... and, no, it isn't the O'Keeffe painting mentioned in today's poem; that has far more going for it than my little photograph does)

It was like a haiku moment.

I was walking along, just letting my mind wander, when I noticed the young oak which had been planted near the sidewalk.

A winter breeze waggled the leaves, and it was almost like they were beckoning me. I paused to watch them, then realized that they reminded me of a Georgia O'Keeffe painting I had seen at the Dayton Art Institute.

As soon as I got home, I sat at the kitchen table, as I often did then, and started writing ... so I could preserve my impressions ... and share them with Phyllis.

Somewhat later, thanks to the folks at The Christian Science Monitor, those impressions found a larger audience.

And here they are again:

SUPPLICATION

The oak
retains its leaves,
purple-palmed mittens
hanging out to dry,
waving in supplication,
inviting a closer look
that shuts out all
except those few
as painted
by Georgia O'Keeffe,
and then not purple,
exactly, but that
kind of purple
that was
her gift to us.

 ©1996

(originally published in The Christian Science Monitor)

Today's word: waggled

Someday, Yes!

(Another of my little watercolor sketches, possibly taken from real life ... or maybe just from memory)

I think I grow by pushing, reaching, imagining, achieving ... pushing myself into areas where I may have been reluctant to go ... reaching for new challenges ... imagining what it is like to "clear the crossbar" at a height I have never before reached ... achieving small increments of progress on which I can build.

I use the metaphor of the high-jump in this poem, because it encompasses the approach I used in training. 

It turned out that I was a better sprinter than jumper, but I still think there is something to be learned from the metaphor, of setting the crossbar higher, challenging myself.

As for dancing up out of the pit, I see that coming someday, not because I have become better than someone else ... that's not my aim ... but because I have simply become a better person as a result of setting my own goals and working toward them.

I'll keep trying ... and trying ... and trying. And someday ... YES!

The poem, originally published in Capper's:

SOMEDAY, YES!

I keep setting
the crossbar higher
on personal goals,
practicing harder
on my approach,
take-off, landing,
working toward
that height
my mind's eye
sees as my limit,
that level I will
someday clear,
adrenalin pumping,
glitter of sawdust
showering off me
as I come dancing
up out of the pit
into the circle
of winners. Yes!

© 1998

Today's word: increments

Searching for Words

I'm always searching for words, it seems.

I see something that's new to me, and I search for a word or phrase which will help me to store the image of it ... that first impression ... somewhere that I can retrieve it ... so I can tell somebody else about it.

At my age, retrieving it is sometimes a problem ... but I don't let that keep me from trying to store it where I think it will be easy to find again. I do keep trying.

When I write ... which is often, for I'm always jotting things down on little scraps of paper ... I search for words then, too ... casually on first writing something ... I'm not looking to make a photo-realist image, but to form a rough sketch, something to build on later.

And when later comes ... time for revising ... that's when the really serious search begins.

As this poem began toying with me, it occurred to me that I might find some magic in those early words which first presented themselves to me ... "that sprang upon me like playful kittens." 

I try to maintain as much of that as possible, that element of surprise in hearing something for the first time, or seeing something through new eyes, as though for the first time.

I think it must have been a winter evening when I first began writing what would become "Searching for Words." 

I must have been reminded of other moonlit winter evenings when the wood smoke rose lazily from chimneys, and I knew that dreams were visiting the residents while I trudged the lonely road toward home.

I hope you search for words, too. I hope you'll find a lot of beautiful, soothing ones ... words you'll want to keep ... and share with others ... like seashells, or beautiful stones discovered during a walk along the beach. Happy hunting!

And now, the poem:

SEARCHING FOR WORDS

I search the silent
corridors of my mind,
seeking words that
softly sought my young
ears, that sprang
upon me like playful
kittens, turning
into songs, casting
their spell, as haunting
as the thin gray curl
and reach of wood smoke
on a winter evening.

 © 1999

(originally published in Midwest Poetry Review)

Today's word: kittens

Reaching Out

I'm not sure where or when this poem actually began. 

Poems sometimes have a way of hanging around ... lurking ... waiting for the right moment ... and then presenting themselves to me.

I think this one had its roots in the time and place where I grew up. We lived on a small piece of land just outside a small farming community, so it was not truly a lonely existence, in the sense of being a stranger among strangers.

We knew everybody ... and I presume everybody knew us. We were among friends.

Still, there were times of loneliness, times when there were no playmates, times when there was nobody to talk to, except my grandparents ... and they were sometimes occupied with their own concerns.

So I think this poem may have been speaking to that time and place, particularly with its reference to the hills ... "my voice flying" ... "someone hearing, answering" ... but I really think it speaks of a hopeful outcome.

We could all use a bit of that.

And now the poem:

REACHING OUT 

Let me stand
in the clear blue
of morning,
sun rising, warming
the waiting hills,
and my voice flying
through the silence,
someone hearing,
answering, more
than an echo,
a kindred spirit.

© 1998

(originally published in The Christian Science Monitor)

Today's word: kindred