Glass, Drinking

Such an ordinary subject ... and I'm sure the editor who once scrawled something to that effect on one of my poems would agree ... but I find many of my subjects in "ordinary things."

So much depends, I think, on how one looks at them.

I'm not exactly sure where ... or when ... the particular glass of this poem caught my attention.

It was a cheap green drinking glass ... I'm sure of that ... but it wasn't a recent observation, because the trains don't run past the house where I live. So it had to have been in the past ... perhaps the distant past.

But I do remember how that glass caught the light, and I can still see those few remaining droplets dancing.

The moment could have passed unnoticed. I'm sure there were other things ... far more important things ... going on. But I did notice, though I had no idea I would ever write a poem about it ... or write any poems, for that matter. 

I'm glad the memory was stored somewhere in the recesses of my mind, just waiting there for the right moment to show itself to me again.

It's just a small descriptive passage ... a single sentence, if it were presented as a bit of prose ... but I treasure the memory it represents ... and the other memories which keep it company.

Oh, how I wish I had a picture of it to share with you. Instead, there's a photo I snapped during one of my walks at Cox Arboretum. 

GLASS, DRINKING

It gathers the light to it, sparkling
with morning warmth, wraps itself
in rings so bright they might be taken
for some kind of pretense, but it’s
only a cheap green drinking glass,
empty except for a few remaining
droplets that tremble and dance
to the passing song of a rickety train
and then subside like an echo yielding
itself to the cold of late autumn fog.© 2006
(originally published in St. Anthony Messenger)
Today's word: rickety

Favored Paths

My grandparents didn't have a car (as some of you may know, I grew up in their care) ... but that was no problem ... everything we could have wanted was within walking distance ... and trips, real trips? Well, there were passenger trains running then.
Under those circumstances, it's little wonder, I suppose, that I learned the benefits of walking.
For one thing, there was so much to see while walking ... it was a pleasure to focus on a particular view, then watch it slowly changing as the walking changed the angle at which it was seen.
The slower pace made it so easy to absorb what was seen ... to savor the flavor, so to speak.
So, when my doctor suggested ... OK, he may have been verging on insisting ... that I take up walking again ... it was no big deal, even when I first started and found it difficult to go all the way around the block.
I remembered ... I knew the benefits of walking. It was just a matter of time until I could get my body back into shape. Well, it took a little more time than I expected ... but I listened to my body along the way ... and moderated my pace, or increased it, accordingly.
And now a daily walk is automatically a part of my routine. I still enjoy the view(s), the pace ... and particularly the poems that sometimes come to me during my walks.
Today's poem, for example:
FAVORED PATHS

I like to walk
where the trees
drink the sunlight
and let only
stray droplets
speckle the earth,

where the squirrel
scampers unseen
to a cradling limb
and screeches
at the stranger
who dares intrude,

where lichens clutch
the brows of bluffs
sitting as in judgment
while merely waiting,
as they have been
through the ages,

where the tiny bird
flits and sings
its song of hope,
and my steps
are less labored
as I am renewed.
© 1996
(originally published in Capper's)
Today's word: lichens

The Embrace of Sound

(One of my photographs, symbolizing nothing in particular - "mere interlude")

Another bit of ancient history.

The scene: Phyllis was called out of town because of an illness in her family. I was alone in "Brimm Manor" ... totally in charge, preparing the meals, doing the dishes ... all alone.

This may help in understanding the origin of the poem ... what started the wheels to turning, to bring the poem into being ... but really isn't essential to the poem itself. I'm speaking in a general way of the absence of familiar sounds, and what effect that absence can have on the individual.

The poem is also witness to the fact that poetry needn't always be a light, "happy song" rendition. Poetry can, and does, roam the range of human emotions.

I like the way this one came together, the way the silence symbolizes the loneliness which is at the core of it.

But I also like the happy ending, or at least the prospect of a happy ending in "embrace of our voices" ... and that last line: "preparation for a next great leap."

The poem:

THE EMBRACE OF SOUND

I endure the silence, knowing
it will end with a teakettle's
shrilling, the dog's ticking
toward water waiting to be lapped,
the phone's late-night ringing,
embrace of our voices, for this
is mere interlude, this intaking
of breath, this hunkering down,
preparation for a next great leap.© 2001
(originally published in Potpourri)
Today's word: ticking

Detour - Expect Delays

Today's offering is obviously a summer poem, but it represents a "philosophy" ... an outlook ... which can be adopted almost any day of the year.

I think it was written on just one of those lazy, hazy, steamy days when I felt the backlog was secure ... no danger of avalanche, at least for the moment ... more important things, those pressing chores from day before yesterday ... and beyond ... could just wait their turn.

I think it's OK to do that sometimes ... to take time to look up from our everyday chores to see what's happening all around us ... the hollyhocks ... the cardinal ... the sunflowers.

Of course, the backlog will still be waiting ... but we can then approach it with the feeling that we're a little more evenly matched now. Try it. It works.

The poem:

DETOUR - EXPECT DELAYS

I have chores
to do, but it's such
a distracting day,
hollyhocks cupping
morning sunlight,
a cardinal swaying
in the evergreen,
a jury of sunflowers
eyeing me suspiciously,
as well they might,
for I, too, may just
follow the sun
the rest of the day.© 1999
(originally published in Capper's)
Today's word: backlog

Caught on the Brink

Have you ever found yourself in "the twilight zone," that location which lies vaguely somewhere between sleeping like a baby ... and being fully awake?

Well, I have. Many times.

Thank goodness, it has only happened to me a couple of times when I was behind the wheel ... and without serious outcomes in either instance.

Oh, on one of those occasions ... one very dark night ... I was pulled over by a highway patrolman somewhere in Indiana ... but that's another story.

But let me settle into my favorite chair ... with a favorite book ... and it's like I've been given a knockout potion. Soon the words become blurry ... the room seems to melt away ... the book grows heavy ... my eyelids grow heavier ...

Whoa! I'm getting ahead of myself here. I'll just step aside and let you glide right into the poem:

CAUGHT ON THE BRINK

Something I had just read
struck a chord with me,
sent sympathetic vibrations
dancing down the corridors
of my mind. I could feel
something stirring deep
within me, a new knowledge
coming like a rescuer's lamp
shooting fingers of light
this way and that,
drawing nearer in the murky
darkness, promising a sip
from the cup of understanding,
a way to come clawing out
of this abyss, into fresh air
and natural light. "Bob!" I
heard the distant voice calling.
"Bob! Put down your book,
take off your glasses, recline
your chair!" It was as though
the Thought Police had me
surrounded. What could I do?
What else? I surrendered.© 2000
(originally published in Capper's)
Today's word: murky

Before I Gallop

No, I don't have any immediate plans for a big move.

When I wrote this one, I was beginning to think about the time when downsizing would be the practical thing to do. I looked around at all the things I had accumulated over the years, and it seemed an impossible task.

It still does.

It's really hard to turn loose of things ... I have trouble seeing them as being only "things" ... because they stir so many memories.

I'm actually making the effort now to turn loose of some items ... to use up others ... to give some away. It's still not easy, but I'm trying.

When I wrote the poem, I tried to take a light-hearted look at this dilemma which faces so many people.

Still, after one reading before a small group, one listener told me that she liked the poem, but found the ending a real downer. She thought I was referring to someting very dark there ... death.

That hadn't occurred to me ... in fact, was furthest from my thoughts. I was actually thinking of Hawaii, a place I've never been, but wouldn't mind seeing someday.

Meanwhile, back to the shredder ... but first, the poem:

BEFORE I GALLOP

The time has come,
in this hunkered down,
bunkered up life
of mine, to start
turning loose of all
those precious papers,
stacks of things
left unread,
undone, untouched
these many years,
to end each day
with less than I had
at the beginning,
to divest, to shed,
to shred, to trash
all those dear things
that I can't take
with me, whether
I simply move
to more fitting
local quarters, or go
the whole route,
whisking away
my tell-tale tracks,
then galloping off
toward some
distant paradise.© 1999
(originally published in Midwest Poetry Review)
Today's word: furthest

After Summer Rain

(Another view of Charleston Falls ... hope you don't mind)

Today's poem, based on an early memory, could easily have been the title poem in my first published collection, Chance of Rain (Finishing Line Press, 2003). Instead, it quietly took its place among the others.

"After Summer Rain," with its starring character, a tiny bug swimming in a laundry tub which had filled with rain water, did become the inspiration for the cover illustration, designed by my son, Alan.

In the poem itself, I like what's happening ... the relationship between this tiny bug, which has suddenly appeared, and this "young man" who is drawn to it, pondering "what it might become, where it might go," questions he had barely asked himself.

Selection of a title poem, in the instance of this first collection, seemed obvious to me, albeit with overtones of designating a favorite child. That honor had to go to "Chance of Rain, my "lucky poem."

Regular readers of my online journal, my home page, or my free e-mailed weekly newsletter ("Squiggles & Giggles," remember? ... went only to those who had asked to receive it ... but, sorry, AOL put a stop to S&G, adventures of The Little Red Car, etc.) ... well, these people know that story about eight lines being discovered in the middle of a longer poem when an alert editor at Capper's spotted them, liked them, suggested that we keep them and my title.

I quickly agreed, and "Chance of Rain" became my first poem accepted for publication. Thus began this great adventure.

But today I'd like to share that other poem:

AFTER SUMMER RAIN

When the storm passed
and the sediment settled
in the tub so recently
sitting empty beneath
the downspout, a tiny bug,
exploring its new world,
memorizing the boundaries,
looking for others,
or savoring the solitude
of this galvanized galaxy,
swam to and fro,
oblivious of the young man
pausing to watch,
puzzled over its sudden
coming to be there,
pondering what it might
become, where it might go,
doubly perplexing because
he had barely posed such
questions about himself.© 1998
(originally published in Midwest Poetry Review)
Today's word: exploring