A Glorious Day

It was a glorious day.


It didn't start out that way. I'll spare you the details, but regular readers already know that most of my days don't start out ... let's just say that I'm not a morning person.


I attribute that to a symphony of aches and pains, certain stresses that never seem to go away - sorry about that ... I did promise to spare you the details, didn't I?


Let's just say that the day, as my days often do, thank goodness, got better as it wore on.


And I was reminded of an afternoon of poetry readings, some time ago.


As always, I had enjoyed the portion of the program in which I shared something I'd written, but I also relished sitting back and taking in the music of words written ... and now being read ... by others.

My poem was written some time ago, but I liked it when it came to me one quiet evening, and I never lost faith in it. 


Once again, I'm dealing with the subject of writing in the poem - and ... I always hasten to add ... I'm no expert on that.


But let's let the poem tell the story:


A GLORIOUS DAY


Someday I shall lie abed
in the innocent hours
of the afternoon, too weak
to walk, too tired to talk,
but writing, because it
pleases me so, gives me 
great comfort, a purpose,
a sense of worth that makes
the hours pass like sugar
coating on a bitter pill,
and I shall curl my toes,
flex my tired fingers,
while remarking, to no one
in particular, that this
has been a most remarkable
day, a time of butterflies
fluttering across my mind,
a glorious day of drowsy 
scratchings on the page, 
a time to go drifting
softly into sleep.

(2nd Place winner in 2009 Dayton Metro Library Poetry Contest, Senior Division)


Today's word: fluttering

Finally, Sleep

Sleep, that blessed escape from the cares of the day, is not always easy to come by ... but I recently slept well for two nights in a row ... and woke up thinking about a certain poem ...  about those mortal enemies - writing and sleep.

At least I've found them often directly opposed to each other. 

When I'm in the throes of writing, sleep is the last thing I want ... and then, sometimes, when I sleep before I've finished a project, I wake up feeling writing-deprived.

"This attic room" used to be the place where all of my serious writing took place. Excluding, of course, those frantically written notes while waiting at the bus stop, or in the doctor's office ... any place I had a few free moments and an idea that just wouldn't wait.

You know the story about that.

That place just beneath the roof was peaceful and quiet ... and when it rained, I enjoyed rain's gentle cadence that accompanied the tick-tick-tap-tick of the keyboard, the rustling of papers, the stifled yawns, and ... finally, a bit of sleep.

But we've moved ... and, though I don't miss that extra set of stairs ... I do miss those evenings up there.

Especially on rainy nights ... I find myself pausing to think about those crinkling ribbons of light, the words which came streaming across the screen as I continued my quest for a poem, in this case:

FINALLY, SLEEP

Ribbons of light
crinkle across
the glass atop
this attic room,
moving slowly
to the cadence
of gentle rain,
then vanish
in the quiet
of these small
hours that call
me to sleep.

© 2001

(originally published in St. Anthony Messenger)

Today's word: ribbons

Echo

(Today ... for no particular reason ... one of my watercolor sketches)

Today's little poem recreates a childhood memory of the sound of my voice coming back to me, not literally saying, "lonely, lonely," but giving me a feeling of being alone in those woods, with just that echo for company.

Of course, this was only a momentary feeling, for there were other adventures to pursue, other trails to explore, other bluffs to climb, other voices to hear ... either those voices answering me or those calling me on.

Still, recognition that, for the moment, I was all alone there, listening, not to someone else repeating what I'd just said, but to my own young voice bounding faintly back to me, was a feeling not easily forgotten.

I still think of it sometimes when I become immersed in a certain kind of quiet.

Memories! How we cherish them, make them forever ours, polish them, enhance them, store them away, pull them out to comfort us in our old age.

The poem:

ECHO

The sound of my voice
hurried through the woods,
past sandstone bluffs,
went running across
cooling ridges,
dipped into hollows,
then came back to me,
repeating
lonely, lonely ... lonely.

© 1997

(originally published in Midwest Poetry Review)

Today's word: repeating

Delia's Morning Quiet

Delia was my grandmother. I went to live with her when I was two years old ... and she reared me until I grew up and went into military service.

Little wonder that I've written about her ... even when cautioned by one instructor that he didn't want to see any "grandmother poems."

This particular poem is a combination of memories of her, of things she said, or might have said. I may have taken some liberties, but, knowing her the way I did, I don't think she would mind.

I don't think she would mind at all.

DELIA'S MORNING QUIET

Morning quiet was
always best, Delia said.

Not the soft silting
of minutes after a day
in the fields, not those
first precious seconds
after childbirth,
nor the calm after
summer storms, tearing
of an envelope, labored
reading of its words,
evening fire, supper done,
dishes stored, children
in bed.

But the kind
of quiet that came
stealing up with the sun,
sharing rooster crow
and the crackling murmur
of fire, a skillet sliding
across the kitchen stove,
sound of an eggshell
breaking with importance.
© 1999

(originally published in Poem)

Today's word: crackling

Clutter

(No, I don't think the photo represents "clutter." To me it's just the opposite, a slice of orderly progression ... from rough-edged to well-rounded stones.) 

Regarding today's poem, I encountered a fellow writer/artist whom I hadn't seen for some time ... and he mentioned "Clutter" ... as one piece of my writing that he remembered. So here it is, again. 

 

Mind you, I'm not advocating clutter, even though ... looking around as I write this ... I can see that a stranger might think I'm clutter's chief spokesperson.

I try. Oh, how I try not to clutter up the planet, at least in my immediate vicinity.

In my own defense, I must say that I don't toss litter out the car window ... I don't drop candy wrappers on the sidewalk ... in fact, sometimes, when I'm out walking, I pick up the occasional strayed aluminum can and deposit it in the nearest trash container.

But in my immediate vicinity ... here in the study ... there's just some invisible force which seems to be at work ... and I am powerless in its grasp.

Things just seem to pile up ... mostly poems in progress ... little notes I've scribbled along the way ... magazines that I really must read (someday) ... little watercolor sketches ... big watercolor sketches ... drawings ... notes to myself. Things like that.

Some days I seem to make progress ... but other days? Well, then it's like trying to sweep the ocean back with a broom.

But I promise you this (and it's not a political promise) ... I'll keep trying. Meanwhile, the poem:

CLUTTER, GLORIOUS CLUTTER

Someday I shall have room
for everything I possess,
all the room I ever dreamed
of having, room to lean back
casually and survey the vast
reaches of things collected
in years of serious pursuit
and delayed disentanglement.

But the jam-packed reality
of today is that I shift
cautiously among the poems
poised for avalanche, books
teetering on the brink
of revenge for being left
stacked like cold flapjacks
all these busy-busy years,
treasured items gathering
dust, clipped so long ago
from forgotten magazines.

So much of my past, perhaps
my future, too, nudging me
when I turn, bumping me when
I bend, skittering when
we touch, hugging me like
a lover just before the train
pulls out. And I stand here,
loving it all right back.

© 2000

(originally published in Nanny Fanny Poetry Magazine)

Today's word: avalanche

Breakfast for Two

As is sometimes the case, I was not actually a witness to the crime depicted in today's poem, but the information came from a usually reliable source (not, incidentally, Luke the Cat).


I've met both principals in this case. 


I can believe that one of them was, indeed, engrossed in the newspaper when the action took place. He was known to have worked an occasional crossword puzzle. 


I find it hard, however, to believe that Luke would stoop to such thievery as is detailed here.


Still, it does appear to be one of those crimes of opportunity, and when opportunity knocks ...


Good news, though: I understand that Jerry and Luke, despite this transgression, remained good friends.


Today's poem, originally published in Capper's:

BREAKFAST FOR TWO


An unsuspecting
Jerry buries his
nose in the news,
savoring the paper
while Luke the Cat
pulls a little caper
with a stealthy paw,
takin' the bacon
from Jerry's plate.

© 1998



Today's word: stealthy

After Summer Rain

(Another view of Charleston Falls ... one of my favorite spots ...)

Today's poem, based on an early memory, could easily have been the title poem in my first published collection, Chance of Rain (Finishing Line Press, 2003). Instead, it quietly took its place among the others.

"After Summer Rain," with its starring character, a tiny bug swimming in a laundry tub which had filled with rain water, did become the inspiration for the cover illustration, designed by my son, Alan.

In the poem itself, I like what's happening ... the relationship between this tiny bug, which has suddenly appeared, and this "young man" who is drawn to it, pondering "what it might become, where it might go," questions he had barely asked himself.

Selection of a title poem, in the instance of this first collection, seemed obvious to me, albeit with overtones of designating a favorite child. That honor had to go to "Chance of Rain," my "lucky poem" ... those eight lines which were discovered in the middle of a longer poem by  an alert editor at Capper's who spotted them, liked them, suggested that we keep them and my title.

I quickly agreed, and "Chance of Rain" became my first poem accepted for publication. Thus began this great adventure.

But today I'd like to share that other poem:

AFTER SUMMER RAIN

When the storm passed
and the sediment settled
in the tub so recently
sitting empty beneath
the downspout, a tiny bug,
exploring its new world,
memorizing the boundaries,
looking for others,
or savoring the solitude
of this galvanized galaxy,
swam to and fro,
oblivious of the young man
pausing to watch,
puzzled over its sudden
coming to be there,
pondering what it might
become, where it might go,
doubly perplexing because
he had barely posed such
questions about himself.

© 1998

(originally published in Midwest Poetry Review)

Today's word: exploring

When, at Last, It Rains

I learned about rain, or its absence, at an early age. That happens when you grow up in a rural area. So much ... in fact, everything ... depends on rain, whether you have it or you don't, whether too little or too much.

That early experience shaped me, no doubt about it. It shaped my writing, too, when I finally took that up. It created the shape of my first collection of poems, published in 2003.

This particular poem requires little explanation, I believe. Except ... except that, while it is written as something which happened one evening, it is the sum of many evenings ... spent on the front porch, "watching the stars, counting the days since last rain."

It embodies my reaction to the ending of a long drought.

It could be taken further than that, if you wish, to a celebration, not just of the return of rain to the parched soil, but to the ending of one of the many kinds of droughts we endure in our lives.

WHEN, AT LAST, IT RAINS

I sense its talking to me in the depths
of my sleep, hear its melody settling

softly on my ear like a lover's whisper,
see it, with my mind's eye, falling

into a steady rhythm, slipping slowly
down the slope of the tattered roof

on the porch where I sat last week
watching the stars, counting the days

since last rain; then with a shout,
a slam of the screened back door, I'm

standing in the crusted yard, greeting
the rain with my arms outstretched,

dancing wildly with it, receiving its
healing kisses on my upturned face.

© 2006

(published in my first collection, Chance of Rain, issued by Finishing Line Press, 2003; included in Common Threads, issued by Ohio Poetry Association, Spring-Summer issue, 2006)

Today's word: healing

That I May Know

In selecting the art for these postings, I try to be as careful as I am with the chosen words which make up the poem, as careful as I am in selecting the poem itself.

I don't want the art to overpower or distract, but to illustrate the point I'm trying to make with the poem.

In this instance I believe I have a match with my photo of a stump. 

I like the stump simply because of the way the sun plays across its features. 

It also speaks of all those years spent growing in the woods ... and now this final stage of giving way, of returning to the soil from which it came, devolving into nutrients for new plants.

The presence of green in the photo represents the onset of this new growth. It is spring, a time of renewal. 

The stump remains, that symbol of the past, but it will eventually be overrun by new growth, new flowers, new dreams ... the renewal of life.

In the poem I am attempting to address this ongoing cycle of life, attempting to bridge the gap between the old and the new ... the present and the past ... a bit wistfully, perhaps ... while also trying to touch on the future. 

The poem:

THAT I MAY KNOW

When I am old
and wizened,
feeble and forgetful,
then I hope
you will read to me
a poem I wrote
in younger days,
so that I may know
once again
what it was like
to dream. 
© 1996 
(originally published in Poetic Eloquence)

Today's word: wizened

Sunflowers

(No, they aren't sunflowers, but I liked the color, the patterns, when I took the photo ... and just now when I was searching for something to go with today's posting)

I remember tooling along the highway somewhere in the Midwest.

The sun was shining, the landscape a quilt of varying shades of green, a sprinkling of houses and farm buildings.

Then suddenly ... it seemed sudden at the time ... I became aware of those acres of sunflowers "staring" at me. 

I was reminded of a classroom, not as a teacher, for I was never privileged to have that role, but as a visitor entering quietly, yet becoming, for the moment, the center of attention ... all those young heads turning, those eyes all focused on me, evaluating, questioning.

Oh, how that field of sunflowers reminded me of that moment. And now, this morning ... I'm enjoying the memory of that sun-drenched scene ... and how it set the wheels turning toward another poem.

It goes something like this:

SUNFLOWERS

Great gray ribbon

of road unspooling

steadily beneath me,

then, to my left,

acres of big brown eyes

all intently focused;

first day of school,

teacher's talking.

© 1995

(originally published in Capper's)

                            

Today's word: focused

Reverie

I've never been a skater ... on ice, that is ... but it seems to me that daydreaming is something like TWO skaters on ice.

You're vaguely aware of your surroundings ... but then you're also off somewhere else ... like a skating partner off somewhere on the ice, whirling ... and gliding ... maybe leaping ... while you're over here, doing your thing.

Then ... POOF! Back to reality.

That happened to me recently.

Earlier in the day, I had submitted three poems ... by e-mail, no less! ... to one of my favorite publications ... or I thought I had. Then I discovered that all of my efforts had come flying back ... wrong e-mail address!

Well, a little research fixed that ... and off they went again.

Then, just as I was winding down for the day ... checking for incoming e-mails one more time ... half-listening to the news on TV ... I got confirmation that all three of those little poems had been accepted for publication in three upcoming issues.

Wow! Did that ever set off a chain of images ... including one very brief thought about dancing on the table in celebration ... talk about reverie!

Speaking of which:

REVERIE

My tired brain,
sponge that it is,
busies itself
sopping up sights
and sounds, giving
nothing back
as we drift apart,
like two skaters
arcing slowly away
on a vast blue rink,
curling, curling
back, linking hands
again, a flurry of
upbladed ice
marking our sudden
juncture, skates
flashing in unison
again as though
we'd never parted.

© 2000
(originally published in A New Song)

Today's word: sponge

A Plague of Squirrels

I'm kidding, of course, about the "plague" of squirrels.


The squirrels and I actually get along pretty well. Oh, I see them occasionally, pausing to stare at me and one of my funny looking hats.


But they never laugh and poke fun at me ... and I try to treat them with equal respect.


I do recall, though, that there was one encounter the day after we moved into Brimm Manor ... I thought I heard someone ... or something ... at the back door.


It was a squirrel.


From all indications, he was there for a handout. He'd been accustomed to being offered goodies.


Then there was the one which came down our chimney. Did we ever have fun that day!


Mostly, though, we just go our separate ways ... I'm afraid of heights ... and they seem to have a thing about mowing the lawn and watering the flowers.


The poem:



A PLAGUE OF SQUIRRELS


What vile crimes have I committed
that I must be punished by you,
you frenzied plague of squirrels?



You dig up the tulips, tear out
the gutter guards, leave pizza slices
dangling from the evergreens,



litter the driveway with twigs
and leaves while you perfect the art
of nesting, pile our picnic table



with walnut chewings, spread hysteria
by screeching from the highest limbs,
patter across our silent green roof



at daybreak, hide juicy, squishy things
under the swing's yellow cushions,
come down our chimney bearing gifts



of frantic sooty footprints over all
the basement, spending a whole afternoon
eluding me, until finally hiding



in a box so I might carry you outside
to set you free, a twitch of the tail
your cursory thanks for the ride,



and I see you later scampering down that
superhighway of cable, as though nothing
had happened today, absolutely nothing. 

© 2001

(won a third place award in Ohio Poetry Day competition)

Today's word: scampering

Ordinary Things

(Another of those "ordinary things" which catch my attention when I'm out walking - the shadows of bare limbs falling across a walkway, trees catching the sun in the background - a tranquil scene which may lead to a poem ... or just a feeling of quiet contentment)

Rejection ... in the form of those little impersonal notes which accompany your poems when they come back from some distant editor ... is so frequent that it's almost expected.

Oh, I send out the best work I can do ... at the time ... and I always think I've matched it with the perfect place for it to be published ... but there are so many factors at work: The sheer numbers of people who write poetry, the limited number of pages in each publication, the timing, the subject matter.

Then there's the subjective way in which the flood of incoming work is measured ... as, I suppose, it should be. The editor, after all, is likely struggling for survival, too.

I've come to expect that most of my submissions will be rejected. 

Of course, this makes the acceptances that much more sweet ... more worthy of celebration, though I don't dance on the table as much as I once did.

In this pursuit of acceptance here and there, I accept the odds, I keep trying to improve my writing ... and the odds ... and life goes on.

Once in a while, in all of this turmoil, there comes a little surprise.

I recall how one editor had scrawled something about "mundane treatment of ordinary subjects" on the rejection slip which accompanied my returned poems. 

I recall that note ... and I wish I could recall the name of that editor.

I would like to thank him for giving me ideas for two more poems, today's "Ordinary Things" ... and another, "In Praise of the Mundane" ... both of which were published ...elsewhere.

Today's offering:

ORDINARY THINGS

If my daily walk could take me
far enough from where I live,
I might discover something worthy
of collecting and preserving.

Instead, I find a squirrel's
nest, abandoned, being parceled
by the wind, a remnant of string
lying in hopeless tangle,
fragments of eggshell left like
bits of sky on gritty gray
sidewalk, a cat sunning, 

scattered 

  toys, telling me that 

children 

  

 

are perhaps watching

as I pick my way through.

Such ordinary things, trickling
through the fingers of my memory
even before I get home, but while
I have them they are treasure.
More than that, food for my soul.

© 1998

(Originally published in A New Song, the poem is now part of my third collection,Wood Smoke, published by Finishing Line Press)

Today's word: ordinary

Nightsongs

As some of you know, I write a lot about rain. 

It was such a central part of growing up in rural Southern Illinois. There were many summers when our garden wilted ... never mind the grass that seemed to turn to confetti in our yard ... the cistern ran low ...

Ah, but there were summers, too, when there was an abundance of rain ... and all was well with the world.

We city dwellers tend to forget the importance of rain. We lose touch.

This poem is an effort to restore that touch ... to explore some of the possibilities in the music ... the magic, if you will ... of rain. In the end, I guess it all boils down to "this rain tonight, tremblng leaf to leaf ... to earth."

The poem:

NIGHTSONGS

I lie listening

to the summer night,

wondering what

it might have been like

before roofs came

to glorify the rain,

to magnify the sound.

Was there gentle

crackle and murmur

of a small fire,

a faltering lullaby?

A song kept going,

stick by stick,

until the words

finally surrendered

to deep silence?

The silence of

ashes giving up

their warmth?

Perhaps there was

only the faintest

of songs, like

this rain tonight,

trembling leaf

to leaf ... to earth.

© 2003

("Nightsongs" first appeared online on Poetry Tonight. It also became a part of my first collection of poems, Chance of Rain, issued by Finishing Line Press in 2003)

Today's word: murmur

Happy Valentine's Day!

Today's photo is just a sample ... a sip, if you will ... of the blossoms on the dogwood tree which graces the front lawn of Brimm Manor each year, well after the snows have retreated.

It seems to outdo itself each year ... and I take great comfort in its abundance ... its splendor ... the quiet beauty that it brings to those who pause to consider it. I've also done some paintings with it as the subject. 

But the poem ... I think I sometimes get in the way of the poem by talking too much about it, instead of letting it speak for itself.

It's a bad habit, I know, and I'm trying to break it.

Still, there are times when I feel that just a few more words are needed ... to set the stage for the poem ... to give it a bit more depth.

Let me just say that I was thinking about this poem when I woke up.

As some of you know, I was reared by my grandparents. I learned early, I think, the meaning within the saying, "Absence makes the heart grow fonder."

There was a certain longing, a searching for explanations where there were none. I never knew, precisely, why I grew up with neither of my parents.

I did have my grandparents at my side, though, guiding me, nudging me on, hoping I would turn out OK.

Through it all I tried to search out and cling to earliest memories ... of both my parents ... and I have some which have helped to sustain me through the years.

Today's poem deals with one of those early memories.

The poem:

MOTHER'S SONG

It was so long ago,
perhaps in a dream,
or certainly before I knew
the meanings of words,
but I felt the music
of her fine soprano voice
caressing, soothing me,
and how I wish I could
sing that same gentle
song back to her now,
saying softly, sweetly,
simply, I love you.

© 2000

(originally published in PKA's Advocate)

Today's word: soothing

The Lost Line

There's something about the rhythm of walking ... especially alone, nobody to talk to ... which can set a phrase to coursing repeatedly through your brain.

Perhaps it's something you recall from a conversation, or it may simply pop out of the blue.

The more you think about it, the more entrenched it becomes. Then you start hoping it will stay in place until you get back home, or until you find a curbside bench where you can sit and commit that persistent phrase to paper.

Sometimes it's a series of phrases, thoughts that are beginning to shape themselves into a poem.

It was at this point in one of my walks, when I found myself in mid-street ... but let's let the poem tell the story. "The Lost Line" was originally published in ByLine magazine.

THE LOST LINE

Walking, engrossed
in the troubling
task of untangling
a difficult line,
I looked up
at mid-street
into the whites
of the eyes of a car.

The startled driver
swerved and went on,
as did I, trembling
at the thought
of being cut down,
end-stopped,
in such a way.

I left the line
lying there where
I had dropped it,
a broken lanyard,
the possibility
of starting
something big
scared out of it.

I doubt that I

can ever reclaim it,

poor frayed thing,

abandoned, lost,

turned to a frazzle

by tires that sing

without ceasing

on Wayne Avenue.

© 1996

Today's word: lanyard

I Could Have Played Piano

For the moment, let's revisit the Troy-Hayner Cultural Center, Troy, Ohio, on a cold, cold evening back in February of 2008.

The worst of winter conditions had been predicted ... for just about the time the program was scheduled to get under way.

I was convinced that travel was going to be horrible, weather-wise, and advised those who called throughout the day ... either to express regrets ... or to get some advice ... that I would advise them to play it safe ... and not venture out.

The expected horrible weather didn't arrive. At least not that night. Highway conditions ... except for traffic ... couldn't have been better ... both before and after the program.

Oh, what people missed by following my advice! Even so, we had what I thought was an impressive turnout.

I went in expecting an interesting mix of poetry and music ... but the program ... a blending of music ... improvised on the spot by Joel Hoffman, Professor of Composition, College-Conservatory of Music, University of Cincinnati ... with my reading of some poems ... well, the program far exceeded my expectations.

I stood at the rostrum watching as Prof. Hoffman coaxed a delightful program of sounds ... rhythms ... passages ... interludes ... from the piano ... a perfect blending with the poetry I was sharing with the audience.

Afterward, I was really taken by the number of people who thought it was a carefully-rehearsed program.

In truth, Prof. Hoffman and I had not met before that night ... had not rehearsed ... and had had only a brief discussion of our "game plan" before the program began.

I say bravo! Bravo to Prof. Hoffman for so deftly working in the music around ... and with ... my readings ... Bravo! to the audience for shruggng off the dire weather forecasts and joining us for an evening that I will never forget ... and Bravo! to all those who put that program together!

By the way, Prof. Hoffman (http://joelhoffman.net/) wears several hats in addition to Professor of Compositon ... including Artistic Director, Music08 (http://www.ccm.uc.edu/musicx/index.html) and President, Chamber Music Cincinnati (http://www.cincychamber.org/).

I thought of today's poem while I was standing at the podium enjoying his music, particularly a portion of the program in which I read "What Might Have Been" to a most beautiful piano accompaniment.

Perhaps it was just as well that I hadn't brought a copy of it to the reading. It might have spoiled the moment ... as my attempts at humor sometimes do.

But I've dug it out this morning ... along with one of my most definite winter photographs.

Background for the poem:

Once upon a time ... way back in the previous century ... my grandparents had a piano. I believe it was for my mother, but I never heard her play it.

It sat in our living room. I remember a piano tuner coming once to do his magic on it. But mostly it just sat. Oh, I plinked and plunked on it when nobody was looking. But, of course, I couldn't play it.

I didn't feel deprived, and I don't now.

On the contrary, there was that imposing upright musical instrument which fed my imagination. I dreamed of playing it someday ... like I dreamed of many other things.

Then one day it was sold. Strangers came to move that magical creation carefully through the front door, down the front steps and into the truck.

And that was that ... except for the poem (be prepared for a slight twist with this one), originally published in Midwest Poetry Review:

I COULD HAVE PLAYED PIANO

My long, skinny fingers
itching for things to do,
toes just barely reaching
the pedals, and my bottom
gripping the slippery edge
of the bench, I dreamed
of playing ragtime, gospel,
boogie-woogie, maybe even
some of that girl-pleasing,
tough, classical stuff.

What I did was what
seemed to come naturally.

With only one lesson,
I flung myself into all
of the old favorites,
playing each several times
before going exuberantly
to the next. Finally,
Grandpa admitted he was
sorry he had taught me
what could be wrought
with a comb and paper.

Oh, I could have played
piano, no doubt, but my lips
wouldn't feel all numb
and fuzzy, like they do now.
© 1997

Today's word: fuzzy